Edris, Cuban singer-songwriter & multi-instrumentalist

Top Bunks & Aisle Seats: EDRIS

Top Bunks and Aisle Seats goes international as Ampersand’s Music Editor, Ashley Eady, interviews Edris, a Cuban-born singer-songwriter and USC alumnus! Born and raised in Baracoa during one of Cuba’s worst economic depressions, Edris didn’t have video games, a computer, or even electricity growing up. For fun, he played baseball with logs and wads of socks. It was a…

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Jean-Yves Thibaudet and Colburn at The Wallis

On Wednesday night, French-German pianist Jean-Yves Thibaudet was joined by students from the Colburn School in a lengthy program of chamber music favorites at The Wallis. Aside from one solo violin piece, all of the music featured Thibaudet either accompanying the instrumentalists or collaborating with young pianists in four-hand or two piano arrangements. Thibaudet, currently…

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Grant Ellman music

Top Bunks & Aisle Seats: Grant Ellman

In this latest episode of Top Bunks and Aisle Seats, Ampersand’s music editor, Ashley Eady, speaks with multi-instrumentalist and USC student, Grant Ellman. Grant’s musical talent became apparent during his childhood. He’s played piano since he was four, guitar since he was eight, and drums since he was ten. At age 12, he became one of the…

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Photo credit: Chase McBride/Kyle Lancaster of Rotor Collective

Top Bunks & Aisle Seats: Chase McBride & Ethan Varian

Top Bunks and Aisle Seats is back with an exciting new episode! For this fourth installment, Ampersand’s music editor, Ashley Eady, invited Chase McBride and Ethan Varian into the studio. Chase is a singer-songwriter from the Bay Area. Ethan, also from the Bay Area, is a graduate student at USC Annenberg and plays lead guitar in Chase’s backing band. Chase and…

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The JACK Quartet Embraces the Modern at the Wallis

Contemporary classical music ensembles face a dilemma when programming concerts: how much of the program should be devoted to the newest and most experimental works, and how much filled with reliable standards and crowd-pleasers? Many find a middle ground, peppering their concerts with Stravinsky here, a dash of Shostakovich there, and then a smidgen of something…

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