I will admit, I have no idea what just happened. But I think that’s the point, right?
As a newcomer to the world of The Rocky Horror Picture Show, I’m posit...
This month, Universal released Halloween Kills in theaters and on Peacock. It’s the latest entry in one of the oldest and longest American horror franchises. I...
The crowd filtered into the reception hall from Pico and up the elevator to the ticketing window from the sublevel parking garage. Many pushed walkers and carr...
Dear Evan Hansen is viscerally uncomfortable to witness. Some of that discomfort is by design, as the original Tony-winning stage musical is built on a narrati...
It's a sight not uncommon on the streets of Los Angeles.
A red carpet is rolled out in front of a theater, while cameramen hurriedly set up their equipment. Lights flash as actors smile and walk the length of carpet, the sun setting behind them.
It is the 23rd year of the Red Nation International Film Festival, an event founded and developed by Jonelle Romero, a Native American filmmaker and actress of Cheyenne, Dine, and Apache descent.
Though it features the usual trappings of a film festival, this two-week program is a statement. It features Native American-centric movies and actors, with more than 20 films directed and produced by Native American women.
"This year, we had 22 films directed by Native women, and had the same number last year, too," Romero said. "No other film festival is doing that, bringing in those numbers."...
This year’s Sundance Film Festival brought a flurry of films about loss—of self, of family members, and of tired mindsets—to snowy Park City. But it was an event marked by gains, too. New additions to the festival included eight indigenous and native filmmakers, a hearty roster of directors of color, and a brand new Press Inclusion Initiative, making Robert Redford’s decision to step back as the face of Sundance feel appropriate and timely. ...
When you love film and you love music, there's a career for you. For film composer Oliver Schnee, there is nothing quite like writing music for the screen. ...
As a filmmaker and a woman of color, Ana Lydia Monaco wants to make people proud to see themselves on screen.
She seeks to create honest female characters whose stories resonate with Latinas and broader female audiences....
This piece was originally posted on Film School Rejects.
Walking into the IMAX VR Centre in Los Angeles is like entering a different world. It’s a hybrid bet...
