Review

This is Us: A Case for Cathartic Television

When “This is Us” won for Best TV Drama Ensemble at the Screen Actors Guild Awards this past January, the reactions from its cast were priceless. Each member emanated joy and humility: Chrissy Metz threw her hands up, incredulous; Sterling K. Brown performed an epic handshake with his beaming wife; Mandy Moore reached the microphone first, and warned with breathless delight, “It’s going to be a minute, there are quite a few of us!” As the actors filed onto the stage, their diversity – in terms of race, gender, and age – was apparent, a reminder of the varied voices that frame the show. There seemed to be a genuine sense of closeness amongst the cast, too—a warmth that was palpable....

A Night With Tommy Genesis

38 minutes after we arrive at No Vacancy on a Thursday night, we're allowed to enter the venue. The bouncer warns us not to take photos until we're in the bar, and we proceed upstairs, filing into a small bedroom where a lone blonde reclines on a twin bed. She launches into a practiced monologue about the unearthly realm we'll be entering as she pulls a lever; the bed slides away from the wall on a hidden track to reveal a staircase beneath. I briefly wonder if the only reason we'd been forced to wait so long before entering is for the setting and resetting of this gimmick, charming but probably overwrought for a sold-out album release party....
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CONTRA-TIEMPO’s Agua Furiosa Fuses Dance with Hope

CONTRA-TIEMPO's latest piece, Agua Furiosa, is an eruption of movement that uses dance and non-verbal dramatization to elaborate on several themes, including race, arrogance and water, all of which capitalizes on extreme energy, but still feels disconnected overall....