We are still reeling, adjusting.
A few weeks into the coronavirus lockdown in California and around much of the world, people are worried about elderl...
For a second you think you are looking at a Beyoncé video: black and brown people gaze intently at you, while lounging on the branches of a tree in white, marigold and red flounced skirts. Looking closer, your eye discerns some hanging in distinctly uncomfortable back-breaking poses. ...
You may have come across Madeline Hollander's dances at the most recent Whitney Biennial in New York City or seen her handiwork in Jordan Peele’s movie "Us" – ...
A young photographer called Simin emerges through double doors carved into a forbidding mountain face somewhere in the desert in southwestern U.S., climbs into her 1980s Mercedes-Benz and coasts into town to collect the townsfolk's dreams. ...
One of the most vivid visual memories of my first weeks in Los Angeles: Driving on the I-10 in the dirty pastel-hued sunset and catching a fleeting glimpse of ...
There is greenwashing – when companies try to make it seem as if they’re not really destroying the environment – and there is pinkwashing: pandering to sexual ...
Aino Frilander is a journalist who enjoys good art and good conversations without unnecessary artspeak – whether she’s talking about light with Olafur Eliasson, travel with Hans-Ulrich Obrist, writing with Chris Kraus, or the implications of the word “charismatic” with Theaster Gates.
She grew up in Finland and Germany, and has most recently worked as a staff writer at Helsingin Sanomat, the biggest newspaper in the Nordics. You can find her on Twitter, Instagram and at your local art opening, looking nerdy.
