Clad in bright, patterned clothing, with hearts painted on her cheeks, Los Angeles-based electronic dance music DJ and producer Ducky is the picture of happy-g...
Bob’s Burgers isn’t your typical raunchy adult cartoon. Yes, the show has its fair share of suggestive puns and fart jokes. But at its heart, Bob’s B...
Sean Dorsey stands alone on a dark stage. His voice fills the air as he dances, cutting through space with gentle confidence. He speaks of the blessed anonymit...
Throughout my entire dance career — which now spans almost 20 years — I have taken exactly one Indian dance class. That day I was treated to a two-hour worksho...
At the end of CONTRA-TIEMPO’s joyUS justUS, the entirety of the stage and audience is dotted with stars. Beams come from above, freckling our faces a...
Anthony Minghella’s voice emanates from the speakers at Los Angeles’ Mimoda Studio. Joe Davis and Tiare Keeno move to its cadences, stopping and starting, rolling through their movements as the words roll off Minghella’s tongue. ...
Bret Easterling is an international dance artist. He has been dancing and
choreographing since childhood. His new piece, BRECHT, is a one-hour solo
performance that uses improvisation as a means to discover his own voice. ...
On the worst day of my life, I balanced in arabesque longer than anyone else in ballet class.
Less than an hour later, I could not stand on two feet. I
los...
Sophie Bress is an arts and culture writer from Laramie, Wyoming. In 2019, she graduated from Loyola Marymount University with a B.A. in Dance and a minor in Journalism. Sophie previously worked at The Spokesman-Review in Spokane, Washington covering arts, culture, and community events. Her work focuses on placing dance within our cultural conversation and recognizing dancers and choreographers as essential elements of our societal framework. In her free time, she enjoys reading, listening to music, and dancing anytime and anywhere.
